I am a big JB and overall movie soundtrack buff and i can't believe i completely overlooked Casino Royale's. This has a gentle combination of David Arnold more modern twist with classic James Bond melodies. Favorites are Blunt Instrument and Names Bond James Bond (One of the best JB movie ending music ever i think).
Also listened to Spectre's "Los Muertos Vivos" estan.
Awesome!

While we did indeed get the Casino Royale soundtrack on vinyl last month, we still need (by my estimation) LPs for GoldenEye, Tomorrow, The World is Not Enough and Die Another Day, as well as Quantum. What's the word and/or interest, do you think?

Anyone has ever made a soundtrack style song in Auxy, when i say soundtrack i mean stuff like the Mission Impossible soundtrack or the Casino Royale soundtrack

Last I was thinking "what songs fit with what character." And eventually I came up with these songs for these characters.
(These characters are based on the legendary pictures movies)
Godzilla: "You know my name" Chris Cornell (Casino royale soundtrack)
King Ghidorah: "straight to hell" Ozzy Osbourne (ordinary man)
Mothra: "the show must go on" Queen (innuendo)
Rodan: Don't know. (Really)
Comment if you agree or disagree and help me find something for Rodan.

This is going to roll some heads, but before you go nuts on the downvotes, let me at least pander my case for digital audio, and why I believe it to be superior in terms of sonic accuracy. I am not referring to the emotion of holding, smelling, hunting, seeking out and taking home vinyl, as the intimacy of pulling a jacketed virgin vinyl out of it's jacket sends chills up and down your arms in ways only a woman can. This is strictly referring to sonic accuracy, and not in terms of listening preference. I am not saying that those who prefer the sound of vinyl are wrong for preferring that sound. That is completely asinine. I love bass; that does not make my listening preference moot. I am simply talking about vinyl being inferior for reproduction of audio accurately, when compared to digital. That is all.
We are currently in a bit of a catch-22 with music, and let's start with the one thing that makes both formats either shine, or suck: mastering.
When vinyl was pretty much the main way to listen to music, the mastering artists had a bit of a problem with vinyl mastering. Namely, vinyl mastering has to essentially have exceedingly exaggerated treble and relaxed bass, because of various factors such as groove distance and amplitude of the etching on the surface. For reference, watch this video on vinyl mastering. It provides an excellent comparison between mastering for vinyl, and for digital.
The catch-22 of mastering is that because of these limitations, only the most skilled and the most attuned ears could be successful (cost of entry, rarity of equipment, sonic knowledge), so the quality of audio recordings were generally excellent. Vinyl inherently prevents compression, because that would require all sounds to essentially be equal volume, which means that a needle would literally be running on sandpaper as every sound competes to be just as loud as the next.
So recording studios went for softer recordings, which allowed more dynamic range and then meant that panned instruments and little garnishes would separate their vinyl from the rest (think DSOTM).
However, to prove my theory on mastering, one should look at vinyl pressed in the late 80's, namely club vinyl. These vinyl came at a time when synthetic sounds and big, splashy bass was a thing. If you listen to the quality of a club track on vinyl, especially one that was cut to be loud, you can hear noticeable distortions when you get to parts of tracks that have loud vocals clashing with big bass lines. A physical needle, no matter how light, still has to deal with physics.
So when we started venturing into the digital realm of audio, the problem of vinyl was not having enough resolution to encapsulate exceedingly loud and dynamic tracks (think mid to late 90's, when Carl Cox and Tiesto were the names to know). Digital recordings, in comparison especially high-resolution files, have so much dynamic range with NO NOISE FLOOR. Which brings me to my second point: noise floor.
I recently did a comparison between an immaculately cleaned, never played before vinyl from Missy Elliot- Get Your Freak On.
(I am aware that most of you are currently spinning in your seats at me using a pop master, but I chose this because when referring to sonic accuracy, a medium should never be part of the problem in the reproduction of any sonic composition, whether it be Moody Blues, The Brothers Four, or Eminem beating Kim Kardashian to a beat.)
It was a club single, on a 33 1/3rd vinyl, but I had a digital version on hand that I got from the studios themselves. I was at Stereo Exchange, and I had the Bowers and Wilkins 805D's paired to a Devialet 120, which for those of you who don't know, is literally the best sounding amp on the market, period. Look at the specs for yourself, and trust me, it's not snake oil. It really is as good as they say. The reason it's the best? Try having:

• 0,001%
• THD+noise (harmonic distortion) at full power
  
• 0,001 Ω
  
• Output impedance
  
• 0,001%
  
• Intermodulation - SMPTE IMD
  
• 130 dB
  
• Signal-to-Noise Ratio
  

Only a year ago, specs like that were a dream in most audio component manufacturing labs. Now, it's in something you can buy for your home.
The vinyl version sounded great; the massive bass line sounded splashy and gorgeous, but there was still minor distortions, but mainly, a faint, soft hum that those diamond tweeters really put forward. That hum is simply the drag of the needle against the surface of the record. No needle, no turntable, no magic interconnects will eliminate the simple laws of physics. Then, as you turn up the volume, that hum gets more noticeable. Most vinyl purists can tune it out, but when you get to soft passages, nothing ruins your listening more than that hum.
With Digital recordings, if there is no noise present from the time of recording, there will be no noise on the track. Sure, even the most advanced mics, mixing boards, and computer soundcards will have some trace element of hiss from, you know, being powered by electricity, but it would be such an incomprehensible amount that it might as well just be called nonexistent for audio listening purposes.
Despite playing back this record on a custom 20 or so pound turntable, with one of Ortofon's finest cartridges (Xpression), it could not in any way hold a candle to the digital version. Bass notes went from being splashy to exceedingly tight, yet having way more body and impact. Missy leapt out the center of your soundstage and right between the eyes. Switch to a quiet, super dynamic and haunting passage like "Vesper" (Casino Royale Soundtrack) and softer elements seamlessly shine through, with quavering reverb, and silence when there should be silence. There are no pops, no hisses, no hums, no noise where there shouldn't be noise. Just piano notes, bow strings, and the faintest sound of air in the recording studio, mixed with the subtle weight shifts of the pianist and orchestra. The depth and scope of the recording shines through.
So back to mastering: what is this catch-22? Well, no more are the days of complex machinery to capture audio, cut it onto a record with a sapphire needle, make a reverse press plate, etc. Now, recording was as simple as a few microphone preamps, an ASIO soundcard, and a DAW.
As synths and software progressed, the music industry could now deliver pop smash hits with tons of compression (loudness) that to 99% of people, would sound purely awesome compared to records of old. So dance music, and hard driving beats became the norm. People wanted more of this newfound sound (deep and substantial bass, with crisp and edgy highs). Equalization moved towards the "V", and we all went down with the ship.
But the problem many vinyl enthusiasts misappropriate to being digital is not because it is digital, but because of what digital has created: higher quality becoming normal to deliver lower quality.
Have you ever really thought about the fact that with digital recordings, you can get as low as 15hz or as high as 22khz (or even higher)? Most vinyl recordings don't go past 18khz because it would just be physically impossible to do that. Also, think about the fact that you can make sounds so soft blend with sounds so loud with no noise or crosstalk between them that the speakers you're playing these songs on, or the amp that drives them, will be the only reason why you either hear them, or not. But because you can now get loudness and complexity with no distortion, or you can get stupidly high loudness with just a touch of distortion, why choose the former when people like the latter? Now that music is almost purely driven by revenue, do you think that big conglomerate music organizations will spend time on mastering, when the people who keep their money rolling in want BASS AND TREBLE?
Then there is the issue of "teaching older dogs new tricks". Most people spent their lives listening to vinyl, and AM/FM radio, over speakers that, when compared to today's hifi, are downright laughable. Over the years, that sound of relaxed, "warmth" (which is really sonic coloration) becomes normal and anything outside of it causes turmoil within the mind. Sure, they are now listening to those records on thousands of dollars of modern equipment, but they say that digital sounds "cold". No, it's not cold sounding. It's more accurate. I'm not in any way, shape or form, writing off what they think is good, but I'm saying that they need to stop writing off digital for sounding "cold" and "digital", because you can't admit that your preference is not accuracy, but emotion.
Yet, I run into vinyl hardcore guys time after time, but when they leave, they're looking for digital tracks. Why? Well, when you play a 192khz/24bit symphony piece over a quality hifi setup, especially at loud volumes where the timpani hits are felt, and the vibration of a cello's strings rattle your chest, and the brass section blares through just as loud as being front row at the Philharmonic Orchestra, yet there's some sort of bell off to your upper right that you just realized was there, they realize what they've been missing.
The lack of hiss, hum, but the presence of barely heard syllabic sounds like fingers on a guitar string still being heard despite the deafening roar of a wailing guitar is a reminder that while yes, most digital music nowadays sucks, writing it all off is you blaming digital for human mistakes.
Blame not the format, but the person behind the board.
I challenge the most hardcore vinyl purists to compare "Vogue" by Madonna off of a vinyl, to a proper quality digital version (you might need to get an older CD that wasn't "remastered" (given more compression) to do this comparison). I say this because this song is easy to find on vinyl thanks to the popularity of it at the time. But this track has excellent mastering for what it is, being a pop track, and when compared vinyl to digital, really shows which format excels at transmitting the song best.
Heck, even Janet Jackson's "Let's Wait A While" is an excellent comparison choice.
Just try it.

• I would like to take this time to thank many of you in both /vinyl and /audiophile for reminding me that "vinyls" is incorrect, and that vinyl is inherently both plural and singular. I have also edited these posts to further emphasize that I am only talking about digital being better than vinyl in a purely auditory and scientific manner, in relation to the REPRODUCTION of audio. I have also corrected minor errors in terminology and grammar, and will continue to edit this post if more mistakes are to be found.

This is going to roll some heads, but before you go nuts on the downvotes, let me at least pander my case for digital audio, and why I believe it to be superior in terms of sonic accuracy. I am not referring to the emotion of holding, smelling, hunting, seeking out and taking home vinyl, as the intimacy of pulling a jacketed virgin vinyl out of it's jacket sends chills up and down your arms in ways only a woman can. This is strictly referring to sonic accuracy, and not in terms of listening preference. I am not saying that those who prefer the sound of vinyl are wrong for preferring that sound. That is completely asinine. I love bass; that does not make my listening preference moot. I am simply talking about vinyl being inferior for reproduction of audio accurately, when compared to digital. That is all.
We are currently in a bit of a catch-22 with music, and let's start with the one thing that makes both formats either shine, or suck: mastering.
When vinyl was pretty much the main way to listen to music, the mastering artists had a bit of a problem with vinyl mastering. Namely, vinyl mastering has to essentially have exceedingly exaggerated treble and relaxed bass, because of various factors such as groove distance and amplitude of the etching on the surface. For reference, watch this video on vinyl mastering. It provides an excellent comparison between mastering for vinyl, and for digital.
The catch-22 of mastering is that because of these limitations, only the most skilled and the most attuned ears could be successful (cost of entry, rarity of equipment, sonic knowledge), so the quality of audio recordings were generally excellent. Vinyl inherently prevents compression, because that would require all sounds to essentially be equal volume, which means that a needle would literally be running on sandpaper as every sound competes to be just as loud as the next.
So recording studios went for softer recordings, which allowed more dynamic range and then meant that panned instruments and little garnishes would separate their vinyl from the rest (think DSOTM).
However, to prove my theory on mastering, one should look at vinyl pressed in the late 80's, namely club vinyl. These vinyl came at a time when synthetic sounds and big, splashy bass was a thing. If you listen to the quality of a club track on vinyl, especially one that was cut to be loud, you can hear noticeable distortions when you get to parts of tracks that have loud vocals clashing with big bass lines. A physical needle, no matter how light, still has to deal with physics.
So when we started venturing into the digital realm of audio, the problem of vinyl was not having enough resolution to encapsulate exceedingly loud and dynamic tracks (think mid to late 90's, when Carl Cox and Tiesto were the names to know). Digital recordings, in comparison especially high-resolution files, have so much dynamic range with NO NOISE FLOOR. Which brings me to my second point: noise floor.
I recently did a comparison between an immaculately cleaned, never played before vinyl from Missy Elliot- Get Your Freak On.
(I am aware that most of you are currently spinning in your seats at me using a pop master, but I chose this because when referring to sonic accuracy, a medium should never be part of the problem in the reproduction of any sonic composition, whether it be Moody Blues, The Brothers Four, or Eminem beating Kim Kardashian to a beat.)
It was a club single, on a 33 1/3rd vinyl, but I had a digital version on hand that I got from the studios themselves. I was at Stereo Exchange, and I had the Bowers and Wilkins 805D's paired to a Devialet 120, which for those of you who don't know, is literally the best sounding amp on the market, period. Look at the specs for yourself, and trust me, it's not snake oil. It really is as good as they say. The reason it's the best? Try having:

• 0,001%
• THD+noise (harmonic distortion) at full power
  
• 0,001 Ω
  
• Output impedance
  
• 0,001%
  
• Intermodulation - SMPTE IMD
  
• 130 dB
  
• Signal-to-Noise Ratio
  

Only a year ago, specs like that were a dream in most audio component manufacturing labs. Now, it's in something you can buy for your home.
The vinyl version sounded great; the massive bass line sounded splashy and gorgeous, but there was still minor distortions, but mainly, a faint, soft hum that those diamond tweeters really put forward. That hum is simply the drag of the needle against the surface of the record. No needle, no turntable, no magic interconnects will eliminate the simple laws of physics. Then, as you turn up the volume, that hum gets more noticeable. Most vinyl purists can tune it out, but when you get to soft passages, nothing ruins your listening more than that hum.
With Digital recordings, if there is no noise present from the time of recording, there will be no noise on the track. Sure, even the most advanced mics, mixing boards, and computer soundcards will have some trace element of hiss from, you know, being powered by electricity, but it would be such an incomprehensible amount that it might as well just be called nonexistent for audio listening purposes.
Despite playing back this record on a custom 20 or so pound turntable, with one of Ortofon's finest cartridges (Xpression), it could not in any way hold a candle to the digital version. Bass notes went from being splashy to exceedingly tight, yet having way more body and impact. Missy leapt out the center of your soundstage and right between the eyes. Switch to a quiet, super dynamic and haunting passage like "Vesper" (Casino Royale Soundtrack) and softer elements seamlessly shine through, with quavering reverb, and silence when there should be silence. There are no pops, no hisses, no hums, no noise where there shouldn't be noise. Just piano notes, bow strings, and the faintest sound of air in the recording studio, mixed with the subtle weight shifts of the pianist and orchestra. The depth and scope of the recording shines through.
So back to mastering: what is this catch-22? Well, no more are the days of complex machinery to capture audio, cut it onto a record with a sapphire needle, make a reverse press plate, etc. Now, recording was as simple as a few microphone preamps, an ASIO soundcard, and a DAW.
As synths and software progressed, the music industry could now deliver pop smash hits with tons of compression (loudness) that to 99% of people, would sound purely awesome compared to records of old. So dance music, and hard driving beats became the norm. People wanted more of this newfound sound (deep and substantial bass, with crisp and edgy highs). Equalization moved towards the "V", and we all went down with the ship.
But the problem many vinyl enthusiasts misappropriate to being digital is not because it is digital, but because of what digital has created: higher quality becoming normal to deliver lower quality.
Have you ever really thought about the fact that with digital recordings, you can get as low as 15hz or as high as 22khz (or even higher)? Most vinyl recordings don't go past 18khz because it would just be physically impossible to do that. Also, think about the fact that you can make sounds so soft blend with sounds so loud with no noise or crosstalk between them that the speakers you're playing these songs on, or the amp that drives them, will be the only reason why you either hear them, or not. But because you can now get loudness and complexity with no distortion, or you can get stupidly high loudness with just a touch of distortion, why choose the former when people like the latter? Now that music is almost purely driven by revenue, do you think that big conglomerate music organizations will spend time on mastering, when the people who keep their money rolling in want BASS AND TREBLE?
Then there is the issue of "teaching older dogs new tricks". Most people spent their lives listening to vinyl, and AM/FM radio, over speakers that, when compared to today's hifi, are downright laughable. Over the years, that sound of relaxed, "warmth" (which is really sonic coloration) becomes normal and anything outside of it causes turmoil within the mind. Sure, they are now listening to those records on thousands of dollars of modern equipment, but they say that digital sounds "cold". No, it's not cold sounding. It's more accurate. I'm not in any way, shape or form, writing off what they think is good, but I'm saying that they need to stop writing off digital for sounding "cold" and "digital", because you can't admit that your preference is not accuracy, but emotion.
Yet, I run into vinyl hardcore guys time after time, but when they leave, they're looking for digital tracks. Why? Well, when you play a 192khz/24bit symphony piece over a quality hifi setup, especially at loud volumes where the timpani hits are felt, and the vibration of a cello's strings rattle your chest, and the brass section blares through just as loud as being front row at the Philharmonic Orchestra, yet there's some sort of bell off to your upper right that you just realized was there, they realize what they've been missing.
The lack of hiss, hum, but the presence of barely heard syllabic sounds like fingers on a guitar string still being heard despite the deafening roar of a wailing guitar is a reminder that while yes, most digital music nowadays sucks, writing it all off is you blaming digital for human mistakes.
Blame not the format, but the person behind the board.
I challenge the most hardcore vinyl purists to compare "Vogue" by Madonna off of a vinyl, to a proper quality digital version (you might need to get an older CD that wasn't "remastered" (given more compression) to do this comparison). I say this because this song is easy to find on vinyl thanks to the popularity of it at the time. But this track has excellent mastering for what it is, being a pop track, and when compared vinyl to digital, really shows which format excels at transmitting the song best.
Heck, even Janet Jackson's "Let's Wait A While" is an excellent comparison choice.
Just try it.

• I would like to take this time to thank many of you in both /vinyl and /audiophile for reminding me that "vinyls" is incorrect, and that vinyl is inherently both plural and singular. I have also edited these posts to further emphasize that I am only talking about digital being better than vinyl in a purely auditory and scientific manner, in relation to the REPRODUCTION of audio. I have also corrected minor errors in terminology and grammar, and will continue to edit this post if more mistakes are to be found.

Track list

Source

1 Revelations - Audioslave 2 Original Fire - Audioslave 3 Shape Of Things To Come - Audioslave 4 Wide Awake - Audioslave 5 Nothing Left To Say But Goodbye - Audioslave 6 Moth - Audioslave 7 Your Time Has Come - Audioslave 8 Out Of Exile - Audioslave 9 Be Yourself - Audioslave 10 Doesn't Remind Me - Audioslave 11 Heaven's Dead - Audioslave 12 The Worm - Audioslave 13 Yesterday To Tomorrow - Audioslave 14 Dandelion - Audioslave 15 #1 Zero - Audioslave 16 The Curse - Audioslave 17 Show Me How to Live - Audioslave 18 Gasoline - Audioslave 19 What You Are - Audioslave 20 Like a Stone - Audioslave 21 Set It Off - Audioslave 22 Shadow on the Sun - Audioslave 23 I Am the Highway - Audioslave 24 Hypnotize - Audioslave 25 Bring Em Back Alive - Audioslave 26 Light My Way - Audioslave 27 Getaway Car - Audioslave 28 The Last Remaining Light - Audioslave 29 My Wave - Soundgarden 30 Fell On Black Days - Soundgarden 31 Mailman - Soundgarden 32 Superunknown - Soundgarden 33 Black Hole Sun - Soundgarden 34 Spoonman - Soundgarden 35 Limo Wreck - Soundgarden 36 The Day I Tried To Live - Soundgarden 37 Fresh Tendrils - Soundgarden 38 4th Of July - Soundgarden 39 Like Suicide - Soundgarden 40 Been Away Too Long - Soundgarden 41 By Crooked Steps - Soundgarden 42 Pretty Noose - Soundgarden 43 Blow Up The Outside World - Soundgarden 44 Burden In My Hand - Soundgarden 45 Rusty Cage - Soundgarden 46 Outshined - Soundgarden 47 Jesus Christ Pose - Soundgarden 48 Call Me A Dog - Recorded Live At Queen Elizabeth Theatre, Toronto, ON on April 20, 2011 - Chris Cornell 49 Can't Change Me - Explicit / Recorded Live At Borgata Hotel Casino & Spa - Music Box, Atlantic City, NJ on April 15, 2011 - Chris Cornell 50 I Am The Highway - Recorded Live At Queen Elizabeth Theatre, Toronto, ON on April 20, 2011 - Chris Cornell 51 Thank You - Recorded Live At Esplanade Arts & Heritage Centre, Medicine Hat, Alberta, Canada on April 27, 2011 - Chris Cornell 52 All Night Thing - Recorded Live At Sixth & I Historic Synagogue, Washington, DC on April 17, 2011 - Chris Cornell 53 Doesn't Remind Me - Recorded Live At Fitzgerald Theatre, St. Paul, MN on April 24, 2011 - Chris Cornell 54 Imagine - Recorded Live At Pabst Theatre, Milwaukee, WI on April 23, 2011 - Chris Cornell 55 The Keeper - Chris Cornell 56 Scream - Chris Cornell 57 No Such Thing - Chris Cornell 58 Billie Jean - Chris Cornell 59 You Know My Name - From "Casino Royale" Soundtrack - Chris Cornell 60 Can't Change Me - Chris Cornell 61 Flutter Girl - Chris Cornell 62 Preaching The End Of The World - Chris Cornell 63 Wave Goodbye - Chris Cornell 64 Moonchild - Chris Cornell 65 Sweet Euphoria - Chris Cornell 66 Steel Rain - Chris Cornell 67 Sunshower - Great Expectations Soundtrack - Chris Cornell 68 Say Hello 2 Heaven - Temple Of The Dog 69 Reach Down - Temple Of The Dog 70 Hunger Strike - Temple Of The Dog 71 Call Me A Dog - Temple Of The Dog 72 Times Of Trouble - Temple Of The Dog 73 All Night Thing - Temple Of The Dog 74 Nearly Forgot My Broken Heart - Chris Cornell 75 Higher Truth - Chris Cornell 76 Wrong Side - Chris Cornell 77 Only These Words - Chris Cornell
URL For playlist

Click Here for Today's Top Songs from /Music

Title	Submitter	Reddit	Youtube
Blue Oyster Cult - (Don't Fear) The Reaper (Audio)	t0zny	Permalink	Youtube
The Nightmare Before Christmas - This is Halloween	blood_bag	Permalink	Youtube
Werewolf Bar Mitzvah - FULL SONG	BustaTron	Permalink	Youtube
You Know My Name (From "Casino Royale" Soundtrack)	HopelesslyFamous	Permalink	Youtube
Roulette Dares (The Haunt Of)	Poverty_4_Sale	Permalink	Youtube
Dragula	AtLeastJake	Permalink	Youtube
Hex Girls	Funky_Monks	Permalink	Youtube
"Creepy Castle" Donkey Kong 64 Brass Quintet Cover	robbyduguay	Permalink	Youtube
Jamiroquai - Virtual Insanity (Official Video)	najing_ftw	Permalink	Youtube
Dead Man's Party	0borowatabinost	Permalink	Youtube
The Misfits - Halloween [Punk]	pickle_popsicle	Permalink	Youtube
Porcupine Tree - DeadWing	OrbitronFactory	Permalink	Youtube
Nightmare Revisited Marilyn Manson "This is Halloween"((LYRICS IN DESCRIPTION))	MacNCheezOnUrKneez	Permalink	Youtube
88 - Bailay Cameron	BailayCameron	Permalink	Youtube
For Your Love - Yardbirds	Ciscoblue113	Permalink	Youtube
Redbone - Come And Get Your Love [Studio Music]	jaye310	Permalink	Youtube
Type O Negative - All Hallows Eve	nkLottery	Permalink	Youtube
Feed My Frankenstein	n3v3r_3n0u9h	Permalink	Youtube
The Worst Witch (1986) "Halloween Song"	MilhouseVsEvil	Permalink	Youtube
The Misfits "Day The Earth Caught Fire" Music Video	mrojek	Permalink	Youtube
AFI - Total Immortal	n3v3r_3n0u9h	Permalink	Youtube
Bad Moon Rising	MyWaffleDoesNotJudge	Permalink	Youtube
Bang a Gong (Get It On) (Remastered Version)	Klotzster	Permalink	Youtube
King Diamond - Evil / Come to the Sabbath, Phoenix, AZ 7-3-15	Son_of_Phoebus	Permalink	Youtube
Horrorpops - Walk like a zombie	Mehdals_	Permalink	Youtube

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Track List: ​ 1.Loud Love

1. Outshined
   
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3. Seasons
   
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5. Can't Change Me
   
6. Like A Stone
   
7. Be Yourself
   
8. You Know My Name (From "Casino Royale" Soundtrack)
   
9. Billie Jean
   
10. Long Gone (Rock Version)
    
11. Call Me A Dog (Live At Queen Elizabeth Theatre, Toronto, ON/2011)
    
12. Been Away Too Long
    
13. Nearly Forgot My Broken Heart
    
14. Nothing Compares 2 U (Live At SiriusXM/2015)
    
15. The Promise
    
16. When Bad Does Good
    

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Track List: ​ 1.Loud Love

1. Outshined
   
2. Hunger Strike (25th Anniversary Mix)
   
3. Seasons
   
4. Black Hole Sun
   
5. Can't Change Me
   
6. Like A Stone
   
7. Be Yourself
   
8. You Know My Name (From "Casino Royale" Soundtrack)
   
9. Billie Jean
   
10. Long Gone (Rock Version)
    
11. Call Me A Dog (Live At Queen Elizabeth Theatre, Toronto, ON/2011)
    
12. Been Away Too Long
    
13. Nearly Forgot My Broken Heart
    
14. Nothing Compares 2 U (Live At SiriusXM/2015)
    
15. The Promise
    
16. When Bad Does Good
    

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Track List: ​ 1.Loud Love

1. Outshined
   
2. Hunger Strike (25th Anniversary Mix)
   
3. Seasons
   
4. Black Hole Sun
   
5. Can't Change Me
   
6. Like A Stone
   
7. Be Yourself
   
8. You Know My Name (From "Casino Royale" Soundtrack)
   
9. Billie Jean
   
10. Long Gone (Rock Version)
    
11. Call Me A Dog (Live At Queen Elizabeth Theatre, Toronto, ON/2011)
    
12. Been Away Too Long
    
13. Nearly Forgot My Broken Heart
    
14. Nothing Compares 2 U (Live At SiriusXM/2015)
    
15. The Promise
    
16. When Bad Does Good
    

​
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Click Here for Today's Top Songs from /Music

Title	Submitter	Reddit	Youtube
Im Afraid Of Americans David Bowie Music Video HD 1080p(Best Quality)	socialmeatloaf	Permalink	Youtube
Band of Horses - The Funeral (lyrics in description)	Justanothercrow421	Permalink	Youtube
Bush - Glycerine	westernmail	Permalink	Youtube
Silverchair - Tomorrow (US Explicit)	westernmail	Permalink	Youtube
J'OUVERT - BROCKHAMPTON	LightVisions	Permalink	Youtube
Dj Shadow - Building steam with a grain of salt	kymray	Permalink	Youtube
The Headmaster Ritual (2011 Remastered Version)	lunarmodule	Permalink	Youtube
C418 - Sweden - Minecraft Volume Alpha	officialsushi	Permalink	Youtube
Skid Row - 18 And Life (Official Music Video)	pelpeh	Permalink	Youtube
Mazzy Star - Fade Into You	beardlesshipster	Permalink	Youtube
Mumford & Sons - Guiding Light	Code1125	Permalink	Youtube
Elvis Presley - Polk Salad Annie Live (High Quality)	i_have_a_daughter	Permalink	Youtube
The Smiths - This Night Has Opened My Eyes	rikroll666	Permalink	Youtube
You Know My Name (From "Casino Royale" Soundtrack)	ROCKISASELLOUT	Permalink	Youtube
The Cardigans - My Favourite Game “Stone Version”	NEONCiTiZEN	Permalink	Youtube
Alicia Bridges - I Love The Nightlife - ( Alta Calidad ) HD	Rollakud	Permalink	Youtube
Donald Fagen - New Frontier (Video)	rikroll666	Permalink	Youtube
Lucky You (Feat. Joyner Lucas) [Official Audio]	oldbauer	Permalink	Youtube
Mary J blige - Real Love	orkenbjorken	Permalink	Youtube
Jungle Love	cherrykushhh	Permalink	Youtube
Earth, Wind & Fire - September	ziggystelladust	Permalink	Youtube
Sundown	flowerhoney10	Permalink	Youtube
Avenged Sevenfold - Blinded in Chains Lyrics HD	NoiseComplaint57	Permalink	Youtube

I have no idea what this is really called but is there a name for a piece of music that thematically repeats over the course of a series? I don't mean the major part of the bond theme, it is a much softer underlying sequence of notes that is usually played during exposition or a reveal of a plot point or scenic overlook. The track "Aston Montenegro" from the Casino Royale soundtrack has it very strongly. What is the name of that technique....is there one?

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todayilearned	TIL that no coin minted by the United States has a numerical amount written on it, which makes it hard for people unfamiliar with the coins to know their value	United
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funny	This guy on Facebook is fed up of seeing "Tag a friend" posts	Facebook
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movies	Voice Control for Binging: Google Home Gets Netflix Integration Soon	Google
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Showerthoughts	Scrolling through Facebook is probably worse for you than smoking	Facebook
AskReddit	Serious Lawyers of Reddit: An Uber driver, Saturday night and two drunk girls. The driver decides not to continue the trip for any reason, and the girls hit the driver's face and run away. What are his choices?	Uber
personalfinance	Wife's 403b is all AXA annuities. Only really familiar with Vanguard, please advise	AXA
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videos	"Sweet/Vicious" - An MTV show where two women seek violent "justice" on men who "get away with abuse on college campus" - the video currently has roughly 20x as many Dislikes to Likes	MTV
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history	What is the best single volume history of the United States?	United
worldnews	Republicans Ryan and McConnell back Russia vote hack probe - BBC News	BBC
todayilearned	TIL in the absence of other communications, British nuclear submarines are advised to listen to BBC Radio 4 as an indicator of whether Britain is under attack.	BBC
worldnews	2016: the year Facebook became the bad guy; This year has revealed how difficult it is for the social network to ‘make the world more open and connected’ when the decisions it makes can be so divisive.	Facebook
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pics	I told my Reddit Secret Santa my dream car to own is a Porsche Boxster. They delivered!	Porsche
funny	THE ALDI EXPERIENCE SHORT ANIMATION	ALDI
Showerthoughts	Imagine the shitstorm Facebook could create if it allowed couples in a relationship to link their accounts so that all of their messages and activities were shared...	Facebook
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Music	Best way to promote a NEW band's Facebook page?	Facebook
videos	Elevated Michelin Star Korean Food At The Most Expensive Korean Restaurant In America	Michelin
videos	DIY YOUTUBERS AS TSUM TSUM MINI FIGURES	MINI
videos	A very heartwarming commercial Apple has made for Christmas	Apple
mildlyinteresting	Creepy Target snow globe axe disproportionately large	Target
Showerthoughts	I've never read a Porsche owners manual but I'm fairly certain there's advice in there about never using your turn signals.	Porsche
EarthPorn	Long exposure at Little Corona, Newport Beach, CA OC 1600 x 2400	Newport
pics	The BBC posted a birth announcement for John Watson's daughter in an actual paper	BBC
todayilearned	TIL Fraley, et al. v. Facebook, Inc., et al. is a class action lawsuit against Facebook alleging misappropriation of users' names and likenesses in advertisements called "Sponsored Stories". Settlement checks in the amount of $15.00 were distributed beginning November 17, 2016.	Facebook
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todayilearned	TIL in 1916 the United States sent 10,000 men into Mexico to capture Pancho Villa. The US failed and left Mexico after eleven months.	United
gaming	Cheapest way to get an Xbox One?	Xbox
photoshopbattles	PsBattle: Origami . . . United States Dollar . . . Rooster	United
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space	The 45th Space Wing supported United Launch Alliance's successful launch of a Delta IV rocket carrying WGS-8 mission from Space Launch Complex 37 on Cape Canaveral Air Force Station, Fla., Dec. 7, 2016.	Delta
space	The 45th Space Wing supported United Launch Alliance's successful launch of a Delta IV rocket carrying WGS-8 mission from Space Launch Complex 37 on Cape Canaveral Air Force Station, Fla., Dec. 7, 2016.	United
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news	Internal Uber employees helped ex-boyfriends stalk their ex-girlfriends and searched for the trip information of celebrities such as Beyoncé, the company’s former forensic investigator said	Uber
WritingPrompts	WP Maybe Playstation 0 can be able to delete space, delete time, delete earth, delete moon, delete sun, delete light, delete dark, delete all places, delete sound, delete wave, delete existence, delete all, delete empty, delete non-existence, delete all non-existences and delete all existences.	Playstation
worldnews	Internal Uber employees helped ex-boyfriends stalk their ex-girlfriends and searched for the trip information of celebrities such as Beyoncé, the company’s former forensic investigator said	Uber
videos	Collegehumor is firing an employee live on Youtube Live Chat Improv	Youtube
AskReddit	Reddit, what's the funniest thing you've seen on Google Maps?	Google
gaming	eBay seller gets scammed when selling PS4.Provides evidence which proves innocence but eBay still backs scammer	eBay
nottheonion	Donald Trump wipes $3.5bn off Lockheed Martin market value with single tweet	Lockheed Martin
AskReddit	Serious what is the strangest thing you've seen on Google Street View?	Google
mildlyinteresting	My Sony alarm clock wakes me up with either AM/FM Radio or a CD track	Sony
LifeProTips	LPT: Combine Kroger and Starbucks Rewards	Starbucks
LifeProTips	LPT: Combine Kroger and Starbucks Rewards	Kroger
Showerthoughts	Legos should have small pieces of metal in them so I can pick them up, er, kids can pick them up from the depths of the rug with a magnet. Nothing like stepping on a Lego pain.	Lego
AskReddit	What are the best places to street view on Google Maps?	Google
news	UN chief warns of Aleppo 'atrocities' - BBC News	BBC
funny	Can anyone ever work the McDonald's ice cream machines?	McDonald's
mildlyinteresting	My girlfriend got me a Dell Notebook at a technology conference.	Dell
funny	Un irlandés, un holandés y un andaluz planean una fiesta con Guinness, Heineken y... amigos.	Heineken
videos	Britain's Puppy Breeders Exposed - a BBC Documentary every dog lover must watch 2016 HD	BBC
pics	You can get anything at Walmart these days	Walmart
AskReddit	Why do you use AskReddit instead of Google for absolutely everything?	Google
AskReddit	What would you include in an ACCURATE Youtube Rewind 2016?	Youtube
AskReddit	What would happen if "The Purge" really existed in the United States?	United